Indonesia actually really rich and custom artwork will not Possessed by other countries, but unfortunately not a bit lately, and custom artwork in Indonesia roomates claims by other countries, it is Because The Indonesian people Themselves WHO do not want to appreciate works of art and culture, even they tend range to like products of other countries, aka abroad, even though there was a little outside the country WHO are jealous of the wealth of Indonesian traditional art and to the extent that they dare to claim the arts and culture of our country. Here is a list of some of the arts in Indonesia:
Leathered Horse (Kuda Lumping)
Kuda lumping also called distance aka jathilan braid is a traditional Javanese dance featuring a group of soldiers on horseback middle. This dance wear horse made of woven bamboo in and cut resembles the shape of a horse. This horse Aenjoy decorated with paint and colorful fabrics. Kuda Lumping dance usually only show scenes hussar, but a variety of performances will also be presenting lumping horse possessed attractions, immunity, and magical powers, such as glass-consuming attraction and immune against flogging whip. Jaran braid is the stage of the dance performances reog. Although this dance comes from Java, Indonesia, this dance is also inherited by the Javanese who settled in North Sumatra as well as in various regions outside of Indonesia such as in Malaysia.
Kuda Lumping dance is played with the property in the form of a mock horse, made of bamboo aenjoy aka braid. None historical records could discuss the origin of this dance, only verbal history passed down from one generation to the next.
That said, lumping horse dance is a form of appreciation and support of the common people against the cavalry of Prince Diponegoro in the face of the Dutch colonizers. There is also a version that states, that lumping horse dance mengfotokan story of the struggle of Raden Patah, assisted by Sunan Kalijaga, against the Dutch colonialists. Another version states that, this dance tells the story of war games Mataram forces led lane I, King of Mataram, to face the Dutch troops.
Regardless of the origin and quality of its historical, Kuda Lumping dance reflects the spirit of heroism and military angle an alias cavalry cavalry. This factor was impressed by the movements rhythmic, dynamic, and aggressive, passing flick aenjoy bamboo, mimicking the movement like a horse in the middle of a war.
Not jarangkali in Kuda Lumping dance performances, the show also featured attractions smelling magical supernatural powers, such as chewing attractions glass, slashed with machetes arm, burn away, walking on broken glass, and others. Perhaps, this attraction reflects the supernatural powers in ancient times developed by the Kingdom of Java, and is a non-military angle used to fight against the Dutch troops.
Reog Ponorogo
Reog is one of the artistic culture that originated from East Java northwestern stage and regarded as hometown Ponorogo Reog actually. Ponorogo city gate decorated by figure Warok and gemblak, two figures who have appeared at the time reog displayed. Reog is one of the local culture in Indonesia are still very thick with the smell of things occult and mysticism strong.
There are five versions of the famous story that developed in the community regarding the origin and Warok Reog [1], but one of the most famous story is the story of the rebellion of Ki Ageng lice, a royal servant during Kertabhumi Bhre, King of Majapahit latest ruling in a century to-15. Ki Ageng lice would anger the powerful influence of the wife of the king of Majapahit which originated in China, not only was also angry with the king in a corrupt government, he was watching that the Kingdom of Majapahit going wrong. He then left the king and founded the college in which he guided the martial arts to young children, the science of self-mortification, as well as the science of perfection with a pledge that young children is going to be the seed of the resurrection of the Majapahit kingdom back. Aware that his army was too small to fight the royal troops, the political message conveyed Ki Ageng lice pass Reog performing arts, which is "satire" to the king and his kingdom Kertabhumi. Performances Reog be tutorials Ki Ageng lice build local community resistance to wear Reog fame.
In Reog performances shown mask shaped head of a lion, known as the "lion barong", king of the jungle, which became a symbol for Kertabhumi, and above it is plugged peacock feathers to resemble a giant fan that symbolizes the strong influence of his Chinese colleagues who manage the over all movement geriknya. Jatilan, played by a group of dancers gemblak riding piggyback become a symbol of the power of the kingdom of Majapahit troops into the strength Warok contrast ratio, which is behind the mask of red clown who became a symbol for Ki Ageng lice, alone and carry the weight of the mask Singabarong which reaches more of 50 kg only by using his teeth [2]. Fame Reog Ki Ageng lice eventually cause Bhre Kertabhumi take action and attack perguruannya, rebellion by Warok quickly resolved, and universities will be forbidden to continue teaching Warok. But students still continue Ki Ageng ticks quietly manner. Mesikipun so, Reognya art itself still allowed to be staged since the show has become famous among the people, but the way the story has a new channel where the added characters from folklore that Kelono Sewandono Ponorogo, Goddess Songgolangit, and Sri Genthayu.
The official version Reog Ponorogo storyline this time is the story of King Ponorogo who intend to marry the daughter of Kediri, Dewi Ragin Yellow, but on the way he was intercepted by King Singabarong of Kediri. King Singabarong forces consists of a peacock and a lion, while the King of the Kingdom of Ponorogo Kelono and Deputy Bujang Anom, escorted by Warok (men dressed in black in the dance), as well Warok has a deadly black magic. The whole dance is a dance battle between Kediri Kingdom and the Kingdom of Roxburgh, and memperlawankan black magic between them, the dancers in the "possessed" when staging the dance [3].
Until now, people Ponorogo just follow the legacy of their ancestors as a very rich cultural heritage. In his experience Reog Art is copyrighted human creations formed their existing trust doctrine by means of hereditary and awake. The ceremony was put on the conditions is not easy for the layman to fulfill the absence of a clear lineage. they embrace parental lineage and cultural laws that remain in force.
Sintren
Sintren adalan traditional dance art of Javanese society, especially in Pekalongan. This art is well known in the north coast of Central Java and West Java, among others in Pemalang, Pekalongan, Bradford, Banyumas, Brass, Cirebon, Indramayu, and Jatibarang. Art Sintren also known as Lais. Sintren art known as the dance with the smell mystical / magical derived from the story of love Sulasih with Sulandono.
Sintren art comes from the story as the son of Ki Baurekso Sulandono perkimpoiannya with Goddess Rantamsari results. Raden Sulandono Sulasih making love with a daughter of the village Kalisalak, but the relationship did not get the blessing of Ki Baurekso, R. Sulandono finally departed imprisoned and Sulasih choose to become a dancer. However the meeting between the two remains increasingly walked past the invisible realm.
The meeting was arranged by Dewi Rantamsari who enter into the body of an angel spirit Sulasih, at the same time R. Sulandono being imprisoned spirits summoned by his mother to meet Sulasih and there was a meeting between Sulasih and R. Sulandono. Since then each held a show sintren dancers entered the spirit of an angel by his keeper, with a note that this factor is done if the dancers remain in a state of purity (virgin).
Ludruk
Ludruk is the art of traditional drama of East Java. Sebuahdrama Ludruk is traditionally performed by a group of art in gelarkan disebuah stage by taking kenasiban stories about everyday people, stories of struggle and others are interspersed with jokes and accompanied by gamelan as a musical.
Dialogue / monologue in ludruk entertain and make the audience laugh, taking the typical language of Surabaya, although sometimes there are guest stars from other areas such as Jombang, Malang, Madura, Madiun with the accent that is not the same. Straightforward language used on ludruk, make him easily absorbed by the non intellect (watchmen, pedicab drivers, public transport drivers, etc).
A staging regular ludruk started with Dance Remo and interspersed with performances of a character who memerakan "Mr. Sakera", a master of Madura.
Kartolo is a legendary comedian ludruk from Surabaya, East Java. He has more than 40 years in the art world ludruk fate. Kartolo name and distinctive voice, the innocent and intelligent jokes, known almost throughout East Java, Central Java and even up.
Ludruk not equal to Ketoprak of Central Java. Ketoprak stories often taken from the story of a bygone era (history and fairy tales), and is given to know the specific message. While ludruk fortune telling stories daily (usually) among the underprivileged.
Bull Race (Karapan Sapi)
Karapan cow is a term to describe race cow racing comes from the island of Madura, East Java. Bull Race, Indonesian Culture of Madura, in this race, a pair of outstanding cows like a train of wood (a jockey standing and controlling the cow pairs) driven at a speed race race against couples of other cows. The race track is usually less than 100 meters and racing competitions can run approximately ten seconds to one minute. Various cities in Madura cattle races held in August and September of each year, with the final at the end of September in the city in October alias Pamekasan to compete for the trophy President.Bull Race preceded by parading pairs of cows around the racetrack with gamelan Madura called saronen. The first half was a determination to win the group and the group lost. The second half is the determination of the group champion lost, being the third round is the determination of the winning group champion. President only diberbagi trophy in group champions win
Ondel Ondel
Ondel-Ondel Betawi is a form of folk performances, which often appear in people's parties. It seems Ondel-Ondel portray ancestors aka ancestors who always keep their grandchildren aka sebuahdesa population. Ondel-Ondel
the form of a large doll was approximately 2.5 meters high with a
diameter of ± 80 cm, built from bamboo aenjoy prepared in such a way so
easy to bear on it. Phase face masks aka guise, with a head of hair constructed of fibers. Ondel face-Ondel men usually painted in red, while the women in white. No form of this show little resemblance to those in other regions.In Sundanese known as Badawang, in Central Java called Barongan Beans, while in Bali known as Barong Landung. According to the type of performances Predictive it has been there since before the spread of Islam in Java.Originally Ondel-useful as a repellent reinforcements Ondel aka spirit who haunts disorders. Today
Ondel-Ondel usually used to improve people's festive party pesta- alias
to welcome distinguished guests, for instance at the inauguration of
the new building was built wrong. However swift currents of modernization, Ondel-Ondel still insisted firmly and to decorate the face of metropolitan Jakarta.
Bamboo Crazy
Crazy
Bamboo is a folk game of residents Maluku.Permainan involves
supernatural power to run it, not necessary mesikipun certain rituals. Bamboo stick held by various people, and by a bamboo shaman is given a spell. Eventually it feels heavy bamboo to those who hold it to fall to the ground. Not only the weight, bamboo is swung to the right and to the left to the music. Implementation is usually accompanied by percussion.
Variety of Indonesian Art part 2
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Indonesian Culture
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